#JAH CURE SCRIPTURES RIDDIM LYRICS FULL#

1', a STRONG compilation which would not only include nice efforts from the likes of Mikey General, Lutan Fyah, Norris Man and Fred Locks, but also two selections from Kalonji which would ultimately appear on this album. Also, both Caveman Studios and Afro-Jam came together to put out 'Caveman Culture Sound Vol. So obviously they had big things in mind when they placed it on the shelves and although the reaction that we've seen has been quite mixed (get ready for more mixing!), like I said, there has been so much buzz surrounding this album that one would think, ostensibly, that it has provided for at least the hope of a commercial success. CD and vinyl (just in case that wasn't clear in anyway). The project is also officially released via Afro-Jam Music from out of Germany who has gone to the excellent stages of actually placing it out not only on vinyl, but in a TRULY WICKED move, they've also released a CD/Vinyl combination package of 'The Chant' which offers you the. This was partially due, in my opinion, to the background of the project which was reportedly (just like its 'sibling') hatched during a tour of Afrika (duh!) which inspired Sizzla to do fantastic work and there you have an album recorded partially on the continent and in Caveman Studios. 'The Chant'В was far and away the most discussed of Sizzla's two albums for early 2012 (and one EP), the other being the very solid 'In Gambia', and it has also become one of the most talked-about out of the entire giant vat of wonderfulness 2012 has given us. Cave', Everton Moore, with whom the artist made some of the initial moves in his musical career and who definitely played a large role in giving us the bonafide legend as he exists today.

#JAH CURE SCRIPTURES RIDDIM LYRICS FULL#

This album was very interesting because it once again featured Kalonji going in the direction of doing a full album for one of his earliest mentors and good friends, following 2009's fairly well received 'Crucial Times'В for Homer Harris (and I guess you could also add the sterling 'Ghetto Youth-ology', for the Firehouse Crew, to that as well).

At his very best, in my mind, this man has no musical peer.

He also had a grandly developed sense of melody which made that music entertaining as well and, as I've said in the past, Sizzla made music which changed an entire genre and it changed my life. Around here we deal with a lot of words and lyrics, obviously, and I can fully say that, even today, listening to some of the best of the chanter, I'm stillВ hearing and noticing idiosyncrasies which are making words revered as being TIMELESS, even that much more without a designated era. If you want to be without flaw doing anyВ type of music, the first thing I do in my mind is to compare you to a vintage and prime level Sizzla Kalonji who, in that state, made a brand of music which was full-on genius. Not only that, but in terms of being musically 'perfect' in the sense of an absolution, for me at least, Sizzla is prevailing scale. And, in the scope of Roots Reggae music, the scale of comparison is and will always be Sizzla Kalonji. And should you want to make an impact on me by making an insane level of frenetic Soca music, you'll have to see Destra, Fay-Ann Lyons or Bunji Garlin - that's what I'm expecting from you. If you want to do something special, do that! Similarly, I have heard unblemished Dancehall music, it exists in prime level Beenie Man and a version of Lady Saw at her vintage best in the late 1990's/early 2000's when she would absolutely destroy a riddim. From now indefinitely looking forward, my place of reference begins with 'Joyful Noise'. For an actual event of this the easiest one which comes to my is the case of a modern Roots Reggae compilation. Depending on the particular genre in question, I think that I can somewhat ask myself something along the lines of 'but is thisВ better than that?' - 'that', of course being something on my scale which, to me, has shown itself of such an amazing quality that I will refer to it/him/her as prototypes of that particular genre - PERFECT examples.

When it comes to actually ranking or rating an album or an artist or a song, I like to think that I have some type of subconscious, but consistent, scale of reference hidden somewhere way back in my mind.

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